“I wore black because I liked it. I still do, and wearing it still means something to me. It’s still my symbol of rebellion — against a stagnant status quo, against our hypocritical houses of God, against people whose minds are closed to others’ ideas.” 
 Johnny Cash

(Source: cultureunseen, via soundofpuresilence)

“No other continent [than Africa] has endured such an unspeakably bizarre combination of foreign thievery and foreign goodwill.” ― Barbara KingsolverThe Poisonwood Bible

Happy Birthday, nigga.

The modern rapper is a glorified salesman.

He lives.

The intellectual’s true calling is activism.

(Source: cultureunseen, via wwwbeautifullensecom)

The love to empower rather than the love of power.

"The whole edifice of white privilege is supported by the self-denying labours of black men and women who exert themselves mercilessly for the improvement of their families and neighbours." — Me

"Be careful who you make memories with. Those things can last a lifetime." Ugo Eze

"It becomes more necessary to see the truth as it is if you realise that the only vehicle for change are these people who have lost their personality. The first step therefore is to make the black man come to himself; to pump back life into his empty shell; to infuse him with pride and dignity, to remind him of his complicity in the crime of allowing himself to be misused and therefore letting evil reign supreme in the country of his birth."Steve Biko, I Write What I Like

QUESTION: I recently watched an interview of David Horowitz & Slavoj Žižek on Assange’s “The World Tomorrow” on Russia Today. These people can’t possibly be serious! What are they talking about?

CHOMSKY: Horowitz is a former leftist who became a raving ultra-right fanatic (and picked up plenty of rich backers along the way).  Slavoj Žižek impresses a lot of people. He’s always seemed to me a clown.

In Living Color.

descentintotyranny:

Through the 1950s, Africans and Native Americans Were Kept In Zoos As Exhibits

Feb. 13 2014

Throughout the late 19th century, and well into the 1950′s, Africans and in some cases Native Americans, were kept as exhibits in zoos. Far from a relic from an unenlightened past, remnants of such exhibits have continued in Europe as late as the 2000′s.

Throughout the early 20th century, Germany held what was termed a, “Peoples Show,” or Völkerschau. Africans were brought in as carnival or zoo exhibits for passers-by to gawk at.

Only decades before, in the late 1800′s, Europe had been filled with, “human zoos,” in cities like Paris, Hamburg, Antwerp, Barcelona, London, Milan, and Warsaw. New York too saw these popular exhibits continue into the 20th century. There was an average of 200,000 to 300,000 visitors who attended each exhibition in each city.

Carl Hagenbeck of Germany ran exhibits of what he called, “purely natural,” populations, usually East Asian Islanders, but in 1876, he also sent a collaborator to the Sudan to bring back, “wild beasts and Nubians.” The traveling Nubian exhibit was a huge success in cities like Paris, London, and Berlin.

The World’s Fair, in 1889 was visited by 28 million people, who lined up to see 400 indigenous people as the major attraction. The 1900 World’s Fair followed suit, as did the Colonial Exhibitions in Marseilles (1906 and 1922) and in Paris (1907 and 1931) which displayed naked or semi-naked humans in cages. Paris saw 34 million people attend their exhibition in six months alone.

Just four years shy of the 20th century, the Cincinnati Zoo kept one hundred Sioux Native Americans in a mock village at the zoo for three months.

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(via nolandwithoutstones)

“What i like about photographs is that they capture a moment that’s gone forever, impossible to reproduce.”
Karl Lagerfeld